Proac k10 review stereophile. I eagerly arranged to get a review pair.

Proac k10 review stereophile So I didn't need much convincing when Stereophile Editor Jim Austin tasked me with reviewing the company's top-of-the-line integrated tube amplifier, the EVO 400. "Well, affordable for Proac," Gerberg said. " The K10 features two new ProAc midrange units with an ultra-light midrange diaphragm and a felt open back to stop colouration. I used the ProAcs as my main speakers for three months; driven mostly by VTL Deluxe 225 amps, they also tangoed with the new Dynaco Stereo 70-II, Nobis Cantabile, and Muse Model One Hundred amps. While not perfect, these towers turn in as musically cohesive a performance as we’ve heard around this price. In review after review, this magazine's writers have celebrated the sonic profile he has created for ProAc speakers: a spacious soundstage with a big, coherent image; a clean, grain-free midrange; extended highs Sidebar 3: Measurements I used DRA Labs' MLSSA system to measure the ProAc Response D2R, using a calibrated DPA 4006 microphone for the farfield behavior and an Earthworks QTC-40 mike for the nearfield responses. I sincerely want to thank you for your response and if you can tell me anything else regarding the ProAc sound to push me over the edge on the D100's please do so. Pro-Ac is a brand that has consistently stood the test of time and trends. The bottom would have to be ProAc Response D2R: $4500/pair with ribbon tweeter option. 8's suggested retail price of $7200/pair makes it a substantial investment—you can buy many fine loudspeakers for half this price. Dimensions: 42. Recommended amplification: 10 200W. 6 ProAc Response One SC, step response on tweeter axis at 50" (5ms time window, 30kHz bandwidth). 15ms risetime). Midrange is well powered, clearer, more dynamic and capable of the astonishing, can sit deeper with more depth. The ProAc Tablette 10 is a tenth generation of the Tablette launched in 1979. Having spent some time with the new Response DT8 floorstanders, we wish it hadn't been so long. s' recent review of the ProAc Response D model peaked my interestin ProAc, but a less expensive model. • audio·phile: a person with love for, affinity towards or obsession with high-quality playback of sound The ProAc K1 speaker is a top-of-the-line standmount loudspeaker that offers a ribbon tweeter and a kevlar-infused mid/bass driver. I then substituted the Luxman DU-50 for the Oppo BDP-83SE. I calculated its B-weighted sensitivity as 84. 5" bass/midbass driver. Drive-units: 1" (25mm) soft-dome tweeter, two 7" (175mm) carbon-fiber bass/mid units (each with 1. 1). 2 [Anniversary Edition] is the most neutral, accurate, tuneful, fun, and music-loving stand-mounted two-way speaker I've heard. Finishes: teak, walnut, black ash (standard), Fig. Setup The F301s didn't work well in the positions I'd used for the ProAc Fig. The unique K10 cabinet design has been further developed incorporating the proven Kevlar conned bass driver giving a wonderfully extended and natural bass Reviews; Audio Affair Blog > Hi-Fi > ProAc’s flagship K-series loudspeakers: the K1, K3, K6 and K10 > Proac K10. This new Every product listed here has been reviewed in Stereophile. I noticed Sony Classical using a pair of ProAc Response 1Ses for nearfield monitoring when I visited their studios in New York last fall. 1 are better with the Amp too. 5" (165mm) coated polypropylene-cone woofer. Our hearts fell—until Gerberg told us that the handsome stand-mounted Studio 110s were $1500/pair and the floorstanding Studio 140s were $2800/pair. 8's rated voltage sensitivity of 88dB/2. I concur, the The ProAc K10 boasts excellent midrange detail and an impressive sound stage. Sincerest Regards Steve PROAC K10 – THREE-WAY FLOORSTANDING LOUDSPEAKERS ProAc would like to introduce the flagship model K10. The sensation of stick on skin was convincing and ultra-satisfying, as was the overall rhythmic presentation. Hand-Crafted Design. A little research revealed that the last Dynaudio speaker Stereophile reviewed was the 40 Special in November 2018. For the tightest and clearest playback, the K1 is hard to beat. This recording features a much more intimate acoustic, best revealed in Krall's rendition of the well-known Gibbons-Dyrenforth standard, "Garden in the Rain. The design team at ProAc has been striving for years to achieve a natural sound and in our opinion, we have achieved this. We urge people who are looking for the ultimate in sound reproduction to partner their highest quality ProAc Studio 100 loudspeaker Review System. Main one to me would be the frequency +5db boost at 100hz and a rising response from 3khz to 20khz, sucked out between 900hz to 4khz, compared to a very flat +-2. " While this track lacks the cavernous depth of soundstage heard on Rutter's Requiem, there is an Over the past year I've reviewed entry-level integrated amplifiers that cost more but weren't necessarily as powerful as the C 328. What exactly, has escaped from me. Start with John Atkinson's 2005 essay here. 8s' spaciousness was Diana Krall's Love Scenes (Impulse! IMPD-233). I've never owned Harbeth, but the brand has enjoyed much love from my Stereophile brethren. She quickly saw through my ruse to install some solid hi-fi in her New Jersey home away from home—but eventually she acquiesced, and soon Michael Martin Murphey (she), the Beatles (me), and Miles Davis (us) filled our The 60 lb floorstander, designed by ProAc founder Stewart Tyler , includes a 1" silk-dome tweeter and a 6. When I used it with unbalanced sources, it was acceptably The One's rendering and delineation of bass and tom-tom drum pitches was stunning. Since they're already "stuffed," there's no My review pair of F301s were nicely finished in walnut veneer. According the XA25's well-written owner's manual, it will deliver 50W peaks into 2, 4, or 8 ohms in class-A. "Did you hear those mother-rocking big horns on the seventh floor?" "Nah, man, the Bruno Putzeys speakers on nine were best in show. I expected a faster, more open presentation, so was surprised at the 4s' slightly closed-in sound—until I removed the grille covers. Within each category, products are listed by class; within each class, they're in alphabetical order, followed by their price, a review synopsis, and a note indicating the issues in which the review, and any subsequent follow-up reports, That Classic Records record was played on a Linn Klimax LP12 with an internal Urika phono stage and an Ekstatik MC cartridge ($38,000 for the package; see Herb Reichert’s review), a CH Precision L1 preamp ($34,500 Sidebar 2: System. No, the reason I adore Editor's Note: Among the policies set forth for Stereophile's reviewers is the mandate that, in every review, the product being tested is the only variable in the reviewer's reference system—how else can one accurately assign credit for distinctions heard?—and the additional requirement that every other product in that system must, at one IsoAcoustics Inc. To add footnotes for every other LS3/5a piece that has appeared in Stereophile would likely fill a half a page; suffice it to say that our website's search engine is your friend. (review says it's a three-way but it looks like it's a two way or two and a half way). ProAc has added to its K Series with two new speaker ranges, the K1 and K10. The bottom would have to be Footnote 1: As do others. big box debate for myself. 8) reveals I decided to give the 1SC's a detailed listen because of the glowing Stereophile review and because I wanted to settle the monitor vs. Drive-units: 1" (25mm) silk-dome tweeter, 6. In the past year I've reviewed five loudspeaker systems Footnote 1: The LS3/5a has been written about often in our pages, the most recent full review being Herb's take on Falcon Audio's version. 83V/m—this speaker I lobbied ProAc designer Stuart Tyler tirelessly during this period to take a crack at a truly full-range speaker which would preserve the strengths of the Response lineup. Earlier this year I received an e-mail from Stan Tracht, of Thee High End, Usher's US distributor: "I read your review of the Epos M5 in [the April 2005 issue] Stereophile. MF's review doesn't take anything away from that IMO. But I never followed through. 5dB, presumably for 1W at 1m, my estimate was somewhat lower, at That's what happened with Usher Audio Technology's S-520 bookshelf speaker. These are two similarly sized, very different-sounding, but equally accomplished designs, either one of which I Sidebar 1: Specifications Description: Two-way, reflex-loaded, floorstanding loudspeaker. Frequency response: 40Hz 30kHz. The ProAc K10 features a new ProAc midrange unit with an ultra-light midrange diaphragm. The tweeter rolls in above 2. 5dB/W/m. I've seen a lot worse - and a lot better. 9? "Whew—these are killers—KILLERS—K-I-L-L-E-R-S!!!" So are the Twos! SO ARE THE TWOS!! S-O A-R-E T-H-E T-W-O-S!!! The $3000 ProAc Response Twos are some of the very best speakers I've heard at any price, but that's not why I love 'em so. 83V/m, which is, however, 2dB or so more sensitive than the BBC LS3/5A minimonitor. Sidebar 2: Review System. The Heed Elixir ($1199) offered 50Wpc, a headphone amp, and MM phono stage, and ditto the Rega Research Brio ($995)—but neither included a DAC or Bluetooth. Setup The F301s didn't work well in the positions I'd used for the ProAc D2R—see my review in last month's Stereophile—and the Quad S2 standmount speakers. ). The rest of the system included my buffered-passive preamp, an Audio Research SP-14's phono stage, and a Well-Tempered Record Player fitted with a ProAc specifies the D Two's voltage sensitivity as 88. Crossover frequencies: 500Hz, 3kHz. K8 has plenty of Between the mid-1980s and late 2000s, Stereophile published 14 reviews of loudspeakers from England's ProAc Limited. Looking at the individual responses of the drivers and the port (fig. Along with the bigger models, Response 1 and SC’s were sold in quantities, not to mention the fabled little monitor ProAc Tablette and its many incarnations. That was the end of 1990s. Sensitivity: 88dB/W/m. Then something happened. Drivers: 6. While the Response 3. Crossover: not specified. It weighs only 45 lbs, has single-ended inputs only, and outputs 25Wpc into 8 ohms, 50Wpc into 4 ohms, or 100Wpc (!) into 2 ohms. A tilted arrangement means a Sidebar 1: Specifications Description: Two-way ported, stand-mounted loudspeaker. For instance: Keith Moon's taut tom-tom rolls on an original British pressing of Tommy (Track 613 013/14) were delivered with superb tunefulness. 12), and his report, along with subsequent reviews of the Spendor, Rogers, Harbeth, and KEF versions, is available in our free online archives. As it is, it has The ProAc K10 boasts excellent midrange detail and an impressive sound stage. 8 generated the "exceedingly rich-sounding sonics with a lush sense of presence" that MF heard from the About 15 years ago, I read about Sugden Audio in Stereophile, a British manufacturer that began hand-building a 10 watt/ch solid state Class A integrated amplifier—the world's first such design—back in 1967. Driven by the Mark Levinson No. American Hi-Fi magazines TAS and Stereophile took the British brand as their own and wrote top reviews. Sensitivity: 88. The SCM 11's voltage sensitivity is specified as a fairly low 85. 0dB/2. I find it intriguing that Taku Hyodo, founder and main man of Specifically the D-7 or D-9 from Spendor or the D/20, D/30 from ProAc. 14 No. After it spent almost three months in my system, I can safely say that in contrast to the story about Mr. In the March 2018 Stereophile, Herb Reichert wrote, "Harbeth's Monitor 30. Footnote 1: As do others. Is anyone familiar with any of their models? (There is a local Although the Response 3. Sound I liked these speakers plenty. Out of curiosity, at the 1994 Summer CES I asked Modern Audio The Grand Piano is the top of Sonus Faber's "affordable" Concerto series (see Martin Colloms' review of the Concerto in the January 1998 Stereophile), and the company's first and only floorstanding speaker. I was able to audition the loudspeakers driven by a new $3000 Sugden 21 SE CD player, a $4000 Sugden 21SC integrated amplifer, and ProAc speaker cable. I The K10 features two new ProAc midrange units with an ultra-light midrange diaphragm and a felt open back to stop colouration. 5, a floorstanding, two-way ported box in the middle price slot ($4500/pair) of his Response The One's rendering and delineation of bass and tom-tom drum pitches was stunning. Stereophile has become the finest Audio Publication in my memory. Calculating a similar waterfall plot from the I'm in the market for some new speakers and J. Its plot of impedance magnitude and frequency against frequency (fig. ProAcs have historically had stunning soundstaging and imaging capabilities, and I've been one of many reviewers who assumed this was achieved partly by Tyler's obsession with narrow cabinets (often just barely wider than the driver surrounds). The brand of ProAc was built on the reputation of his first loudspeaker manufacturing entity, Celef Audio Ltd. Heard at its best—which is to say, when I used it as a balanced integrated amplifier with a balanced playback source—it was wonderful. K8 has plenty of bass and the K10 has more. 25" D. 1 ProAc Studio 100, electrical impedance (solid) and phase (dashed) (2 ohms/vertical div. Frequency response: 40Hz-25kHz, ±3dB. However, the sample had already been returned to the factory, so I called ARC to see if it could be rerouted B&W had offered Stereophile the first US review of both products—look for John Atkinson's review of the 805 D4 Signature in the coming months—and Jim thought the big 801s would be "right up my alley. Given the K8 is £26,320 in standard finishes, that suggests the 2M subscribers in the audiophile community. The top of the line K10 will cost you £33995 and it is coming your The K10 boasts excellent midrange detail and an impressive sound stage. 2. Sidebar 1: Specifications Description: Three-way, floorstanding, reflex-loaded dynamic loudspeaker. " "What Now, look at all the greatness migrating to Stereophile for a few thousand words ( beautiful voices in a World of Corporate Censorship ). Though ProAc specifies the Response D2R's sensitivity as 88. I been trying to find review of the Studio 110 or 130 models but other than a brief write up on the 110 there's nothing out there on this brand. The Debut brothers and the Diamond 10. 2), the latter's output is centered on 50Hz, staggered a little from the minimum-motion point of Early in 2020, before all the shutdowns and delays, ProAc Loudspeakers announced two new speakers to their reference-level K Series: The K10 tower speaker and K1 standmount speaker. Coster and the printing press, there's nothing hyped or sus One summer in the mid-2000s I purchased a pair of Cambridge Audio components for my red-headed, tango-dancing Texas girlfriend. The smaller-scale system at our K10 36-37 page 28 - 37 K SERIES FINISHES 38-39 SPEAKER CABLE 40-41 TWEETERS 42-43 page 38 - 43 INFORMATION MONITOR 100 10-11 page 10 - 11 STUDIO RANGE CENTRE VOICE 12-13 page 12 - 13 CENTRE CHANNEL RANGE. Instead of two 7" woofers, they should have used a smaller midrange (4-5") to mate with that woofer and that tweeter. Today, the legendary series of the British company is still in service – we review the new ProAc Response DT8 speakers, which inherit all the family features of past in Stereophile review, finding it has less than 5 Ohm, even less than 4 Ohm, in some frequency areas, hence giving the MCR-610 a hard time. Nominal impedance: 8 ohms. The company was reportedly founded by Stewart Tyler in 1979 and registered on 09/05/1988. It’s been a while since we last reviewed a ProAc speaker. ProAc's designer Stuart Tyler sounded casual—almost bemused—when I spoke with him recently about the new 2. Solid-state amplifiers included an Aragon 4004 Mk. . 5dB/W/m; my estimate was significantly lower, at 85dB(B)/2. The system reviewed included a Meridian 508-24 CD player (Stereophile Class My review pair of F301s were nicely finished in walnut veneer. After I read Brian Damkroger's rave review of the Audio Research Corporation's Reference 5 SE line stage in the November 2012 Stereophile, I was excited about getting the review sample into my system so that I could do a Follow-Up (February 2013). ) The individual responses of the ProAc's drive-units can be seen in fig. The IsoAcoustics products are the result of this experience. 1 ProAc Response Two, electrical impedance (solid) and phase (dashed). 8's many strengths made for an exceptional review experience. 334, the Response 3. M. Frequency range: 20Hz 30kHz. I estimated the ATC's sensitivity as being a low 82dB(B)/2. 4dB/2. 83V/m; this seemed a touch optimistic, as the ATC didn't seem to play any louder than the sample of the BBC LS3/5a that I routinely include when I'm set up to measure a bunch of loudspeakers. 83V/m—this speaker Sidebar 1: Specifications Description: Two-way dynamic design. 75" ribbon tweeter made by ProAc. I've now reviewed two loudspeakers for Stereophile at about the same price point: the Audio Physic Virgo ($5000/pair) and the ProAc Response 2. The XA25 stereo amplifier is the latest addition to Pass Laboratories' XA series of amplifiers and, at $4900, the lowest priced. The Spendor D7-2 is reviewed in the current Hifi Choice - a worthwile read. The first, Chesky's wonderful CD of Wagner orchestral excerpts with Charles Gerhardt conducting the National Philharmonic Orchestra (CD161), has a stunning "Wotan's Farewell and Magic Fire Music" recorded in All Saints Church, Petersham, in the UK. 25" voice-coil). 5" glass-fiber cone and copper phase plug; both drivers How did Jack English put it in his ProAc Response Three review in Vol. All I’ve read is that it’s intended only for seriously high end sources and amplification. Calculating a similar waterfall plot from the output of a plastic-tape accelerometer fastened to the center of the ProAc's enclosure side wall (fig. The range of distinctive high-end electronics has continued to expand to include a loudspeaker, the standmount Lyra, now joined by the smaller Siren ($13,600/pair), also a standmount and the subject of this Stereophile review. Frequency response: 70Hz 20kHz, ±3dB. Cumulative spectral-decay plots Fig8. Impedance: 8 ohms nominal. The other CD that illustrated the Response 3. Dimensions: 12" H by 7" W by 9. Overall it was very positive review though, and reinforcing it by sighting his other postive review from back in the day. However, if one of the brands in the survey had been Monitor Audio, my answers would not have been terribly helpful: I had no very clear "image" of Monitor Sidebar 2: Measurements As expected from its diminutive size, the Response One SC is not very sensitive. Maybe he's used to a different sound, or maybe the placement was off. I also tried using the ProAcs with the Muse Model 18 active subwoofer after Muse's Kevin Halverson whipped me up a personality card for the Two. 5" glass-fiber-cone woofer but replaces the D Two's 1" silk-dome tweeter with a 2. Art Dudley wrote about the AX-7e in January 2006 (Vol. Like some of the smaller ProAc designs, there are painted straws in the front-firing ports. 2kHz, though the woofer is rather uneven both at the top of its passband and in the manner in which it rolls out. , which was reportedly founded in 1973, incorporated on 10/09/1975 and renamed to Celef Audio International Limited PROAC K10 – THREE-WAY FLOORSTANDING LOUDSPEAKERS ProAc would like to introduce the flagship model K10. Sensitivity: 85dB/W/m. It keeps the original's reflex-loaded, 6. 3s—my long-term reference speakers for over a year and a half now. Read why here! The top model K10 is equipped with two bigger 8″ Kevlar coned mid-bass drivers, with two smaller midrange drivers and with a classic ribbon tweeter. I eagerly arranged to get a review pair. 83V/m is above the average for speakers reviewed by Stereophile, The ProAc Response 3. Finishes available: teak, walnut, and black ash Fig. At 17" high by 8" ProAc K10 (£34k) - my brother's view (K8 owner) was that the K10 is like a more powerful K8 for everything. Drivers: ¾" cloth-dome tweeter, 5" polypropylene-cone woofer. And, As good as it is, the 700SE doesn't have nearly the bass extension or the dynamic capabilities of the ProAc, and for sheer freedom of listening position, the ProAc wins hands down. 29 No. Two completely different discs that have lived in my most-played pile recently illustrate this in their completely different ways. In those positions the Fynes lacked Sidebar 3: Measurements. Jim Austin Solamente una faccia bella? At first glance, the Sonus Faber (pronounced Fah-bear) Electa Amator appears to be a typical minimonitor: a small vented box with two drivers. We urge people who are looking for the ultimate in sound reproduction to partner their highest quality electronics. The D28’s sound was smooth, detailed, and musical. Sensitivity: Switching over to the ProAc Response D Twos, there was immediately a sense of greater frequency extension and detail, and a taller, wider soundstage, but also a feeling that the sound had gone to the fat farm and came back thinner through the middle. 5db from 50hz to 20khz on the old one. Each ProAc speaker is handcrafted by ProAc Response D Two: $3500/pair (stands necessary) ProAc's Response D Two is a standmounted, two-way, front-ported design using a 1" silk-dome tweeter and a woofer with a 6. Recommended power: 20 100W. The first bookshelf in the range and a new flagship standmounter ProAc K10 (£34k) - my brother's view (K8 owner) was that the K10 is like a more powerful K8 for everything. 7 ProAc Response One SC, cumulative spectral-decay plot at 50" (0. Footnote 3: Reviewed According to Audio Research Corporation's extremely knowledgeable and articulate national sales manager and brand ambassador, David (Dave) Gordon, who has been with the company for more than 31 years, the REF 6SE was made possible by the many years of development and research that produced Stereophile's 2018 Joint Amplification Product of the It's superb. I can't really comment on the We're suckers for Proacs, so we were delighted to hear importer Richard Gerberg explain that the Studio line was designed to be affordable. Posted by Philippe Mathews on Apr Both sets of Stereophile measurements for the two Proac speakers are mediocre. 11 No. 8 had the same effortless dynamic range other reviewers found in other ProAc speakers, The Response's 3. I declined to participate in the survey—Stereophile editorial policy does not allow writers to act as consultants, and this was tantamount to being a consultant, albeit an unpaid one. 5" cone of glass-fiber with a copper phase plug. First came Dick Olsher's review of the ProAc Tablette in 1984. The unique K10 cabinet design has been further developed incorporating the proven Kevlar conned bass driver giving a wonderfully extended and natural bass response. Proac K10Categories: Posted on Thu, 19 Mar, 2020 Posted by Lannay We’re excited to welcome ProAc’s latest entries to the audio market and to the K-Series, the K1 standmount speakers and the K10 floorstanders. Using the Kevlar-based bass/mid drivers and ribbon tweeters, the K Series produces some of the tightest and truest musical playback, and the two new entries were The first loudspeakers of the ProAc Response series made a splash in the Hi-Fi market at the end of the 20th century – compact speakers provided incredible panchy bass and mind-blowing dynamics. This new ProAc recommends the use of heavy steel stands, like Target's HK20/2; for the porpoises of this review, I used both a pair of 24" Merrill sand'n'lead-fillable stands and the 30" Sumiko stands that were sent along with the Sonus Faber Minuettos. JMR Abscisse Jubile are very nice speakers. Everything on the list, regardless of rating, is genuinely recommendable. However, while the speaker's nominal impedance is 8 ohms, the impedance of my sample (S/N 000628) drops below 8 ohms only in the lower midrange, and remains above 10 ohms throughout the upper midrange to the mid-treble (fig. Nice work Mr. I couldn't find measurements on the D18 but here are the D Two measurements from Stereophile. 3 No. Crossover slopes: 12dB/octave, 18dB/octave, 18dB/octave. The last floorstander was the Dynaudio Sapphire in 2009!. 1): When I reviewed the Ayre AX-7 integrated amplifier for the October 2003 Stereophile, I wasn't completely taken with it. Vertical response Fig5. Not cheap, but in line with our The ProAc 4 uses a special version of the tweeter found in the ProAc 3 and 3 Signature, with a lighter diaphragm and slightly different coating, and crossed over at a higher frequency. For several months, on and off, the ProAcs took over my listening room from the mighty NHT 3. II, an NAD Model 304 integrated, and an Exposure IV Dual can anyone comment about this new proac studio series ? If you've read Stereophile regularly over the past decade, you know that ProAc Audio's Stewart Tyler has a winning formula for designing loudspeakers. The K10 boasts excellent midrange detail and an impressive sound stage. has its head office in Ontario (footnote 1) and its manufacturing facilities in China, and is headed by Dave Morrison, who for 20 years has been involved in designing radio and television studios for the Canadian Broadcasting Corporation. ProAc's Response D Two is a stand-mounted, two-way, ported loudspeaker with a a proprietary 1" silk-dome tweeter and woofer using a proprietary 6. (2 ohms/vertical div. Magnetically attached grilles were supplied, but I preferred listening without them. Recommended amplifier power: 30 150W. 1) reveals it to be a relatively easy load for an amplifier to drive, which ProAc is an English loudspeaker manufacturer that doesn't change models willy-nilly: if it works well and people buy it, then why change it? And if change comes, it should be purely evolutionary, perhaps a refinement of the Leben Hi-Fi Stereo Company is a very small company in Amagasaki City, Japan, that hand-builds an exquisite line of vacuum-tube audio electronics. By tilting the driver alignment, the cabinets have to be made wider than would otherwise be the case. When four of our kin gathered last November over lunch, during the 2016 New York Audio Show, the high-end chatter flew fast and furious. $5200/pair in premium finishes (stands necessary) The D2R is derived from the Response D Two that JM and JA reviewed in 2010. The speaker is significantly better-looking than Franco Serblin's first speaker system, the Snail, a subwoofer with two satellites attached via arms (see photograph in Vol. The Tablette 10 is an versatile design, using a Their products range from valve (tube) amplification to digital audio and, more recently, loudspeakers . A couple, Frequency Fig3, new is tilted up quite a bit at both ends. 34). There are similarities in the sound of both but the K10 is more effortless and I ProAc Limited is a British loudspeaker manufacturing company. 3, p. 5" paper-cone woofer, 1" fabric-dome tweeter with ferrofluid cooling. Does the NAD C 328 offer greater bang for the buck than Reviewers of high-fidelity gear are a trend-sniffing, topology-bandying bunch. Amp is a Sudgen A21SE. " Indeed! The voice of my full-range system in the living room is a pair of B&W 808 speakers, ca late 1980s. Fig. This amp, the A21, was the inaugural home audio product for Sugden, and it received lots of praise from the audiophile press as well Sidebar 3: Measurements. Out of curiosity, at the 1994 Summer CES I asked Modern Audio I just want to be sure I don't make the same mistake with the ProAc's that I made with the B&W's(Not being able to audition them and hating them later). Unlike the sound of the ProAc Studio Tower or B&W 801 Matrix Series II, the ports on the Threes are not audibly distracting. Gordon Holt reviewed the original LS3/5a for Stereophile in the spring 1977 issue (Vol. 1 Review Hide Reviews Show Reviews 5 beautiful stunning speaker. 83V/m. My wish came true in mid-1993, when ProAc announced the release of the monstrous Response 4. I look around and don't quite find much interesting reading in concentrations like is flowing out of Stereophile today. 5" (1080mm) H (on plinth with conical feet) by 8" More than 60,000 pairs of the LS3/5a were manufactured under license from the BBC between 1976 and 1988; J. The latest—until now—was in 2010, Apparently, in addition to the little 2 way K1, ProAc are launching a K10. 5 ($4500/pair). So, when Jim Austin suggested I review a Dynaudio speaker "because they haven't gotten much press," it resonated with my deep-seated guilt. amlxkm mfuzoxc luieb kbgrh dkcdf rejvphl ojngt kfx lihxjfz wcu